MEN’S FOOTWEAR TOOK A STEP IN THE RIGHT DIRECTION during Fashion Week, thanks to the outstanding footwear collection from Brave GentleMan. Worn by the models during VAUTE’s Autumn/Winter ‘13 Presentation, the shoes were immediately eye-catching, tying each look together crisply. There was an impressive range of boots, oxfords and saddle shoes in sophisticated hues, each offering a new take on classic silhouettes. Demonstrating a high degree of craftsmanship, design and versatility, the line of footwear also gave men of style something to feel good about: the collection was entirely vegan, sustainable and made under fair labor conditions. If shoes make the man, these undoubtedly would make you an even better one. “Ecologically, they are far superior to traditional leather in that they were not tanned in a chemical bath, they are naturally water-resistant, and they are not products of the livestock industry which has a staggering effect on water resources, topsoil erosion, GHG emissions, and grain and petrol consumption,” Joshua Katcher, the designer behind the line, explained to us when we visited him in his studio last week.

Brave GentleMan during the VAUTE NYFW presentation

The line is a collaboration with another vegan brand of footwear, Novacas, and is constructed in Portugal from Italian textiles. One of our favorite styles from Fashion Week was the Defender (seen above)— a twelve-eyelet bulcher-style boot. The bulcher were introduced by the Prussian General von Blücher, Joshua explained to us, and are “known for having side pieces that lap over the front and vamp,” he added. The upper is a biodegradable PU microfiber. It is remarkably indistinguishable from leather in look and feel. And this is where the Italian craftsmanship element comes into play. The material is made up of “millions of tiny fibers that, like an animal’s skin, feel supple and can handle wear and tear very well,” Joshua told us. This level of detail results in shoes that are breathable, that break-in naturally, that don’t crack, and are resilient. Seeing the gorgeous line within the context of a vegan fashion show was undoubtedly one of the week’s highlights for us.

Joshua makes some final adjustments on set (left); the Covert in Navy (right)

A man with great taste in shoes obviously needs a great suit. Recognizing the need, Joshua recently created his very first line of Brave GentleMan custom men’s suits and tuxedos. We got to take a look at the impeccably-constructed line at Joshua’s studio during Fashion Week and discovered fabrics that are truly pushing the boundaries of innovation, and are evocative of the thrilling developments happening in veganism today. The Covert, for example- the line’s most popular style- is a three-piece, notch lapel, single button suit. “This means that there is a waistcoat with an adjustable button belt, a single button jacket with a single rear vent, functional and flat-front slacks, that the lapel features a notch,” Joshua explained to us. Designed in New York City, they are made in Italy by a small family-owned factory. To source sustainable textiles, Joshua partnered with the Italian organization CLASS. “I use their own collaborative line of textiles made from recycled-PET, mostly from post-consumer water and soda bottles. These materials are used by many high-end European mills to create very luxe and sustainable, recycled materials,” he told us. Impressing us further, he told us that the buttons are Tagua Nut (or “Corozo”), which fall from trees, and are gathered. They are known as “vegetable ivory” because of their luxurious feel, color and strength. The collar backing, shoulder pads, lining, full-canvass sew-in interfacing and sleeve headers are all made from recycled poly from Japan in closed-loop factories. As Joshua explained, “The factory does not allow any emissions or contaminants to leave the facility-they are cycled back in to the production process or they are treated and neutralized.”

Joshua— a long-time vegan— has been utilizing fashion as a vital extension of his work as an activist for a number of years. “The fashion industrial complex not only affects millions of people’s livelihoods globally and is tied to some of the worst environmental problems like livestock (sheep, cows, pigs), but it is one of the most powerful forms of creating values and meaning based on aesthetics and expressing personal identity,” he told us. “Fashion is so culturally relevant and has global implications on issues of humans rights, animal rights, and the environment,” he added. With wool production being just one example of an environmentally detrimental practice, not to mention cruel— companies like Brave GentleMan are leading the way towards making these practices obsolete. Joshua is currently designing his Fall ‘13 and Spring ‘14 collections, and we have a hopeful hunch that a Fashion Week presentation is in his very near future.

photo by Joel Barhamand for Laika

We also got to check out Charlotte Ronson’s Autumn/Winter 2013 Collection. Showing 60’s Mod influences, the collection boldly integrated spring-time floral patterns into a fall wardrobe. There were flirty halter dresses and A-line minis in lively emerald greens, punctuated by blacks; touches of peek-a-boo mesh panels; eclectic color-blocking and unexpected cutouts.

While we must make clear that Charlotte’s collection is not all vegan, we are reporting on it here because she has publicly asserted herself as a fur-free designer. During a time when some designers have taken to accepting bribes veiled as sponsorships from a fur industry desperate for market share, Charlotte has remained steadfast in rejecting the usage of fur in any of her garments. Indeed, even just by virtue of excluding fur, she is setting a heart-felt example for her peers. “It’s something I can do, and it’s something that could make a difference,” she told us, when we spoke to her after the show.

Charlotte during and after the show. Photos by Joel Barhamand

She recalled being invited to the offices of the Humane Society a few years ago, where during a meeting she saw videos about the harsh realities of the fur trade. She was deeply affected. “You just can’t go back,” she said. She further explained that fur as a fabric simply doesn’t appeal to her, and is not only “not my style,” as she put it— but that she doesn’t wear it or use it in her collections for compassionate reasons. “I’m against any kind of animal cruelty, and I love my little dog,” she told us.

photos by Joel Barhamand

Another highlight during Fashion Week was seeing cruelty-free and vegan cosmetics being used. Simcha Whitehill, aka Miss Pop (a nail artist with a cruelty-free kit, and a contributor at Laika), created several stunning nail designs for the runways, partnering exclusively with the outspokenly cruelty-free and vegan Color Club nail lacquer. For Charlotte Ronson, she created the “Picture Frame” look (seen above). “To match all the hues in the collection we did five permutations of the look: lipstick red and eggplant, hunter green and a bright purple, two shades of grey, sand and a deep ocean blue, and black and white,” Simcha told us. The look above can be easily recreated at home, using Color Club’s Where’s the Soiree and French Tip shades. Start by applying one coat of the darker shade of polish, and then imagine your nail is just a teensy bit smaller and polish your nail using the lighter color. “This should leave a thin U shape of the darker color framing your nail,” Simcha explained. Brush on a thin French tip with the lighter shade to complete the nail frame.

photo by Joel Barhamand

Another design from Simcha was this nature-inspired look, which used a custom color she created with Color Club called Raw Amber. The look integrated the natural nail peeking through as part of the design. And the purpose of the geometric shape was to evoke “an element of mystery- the openness of the natural nail shrouded in amber and black,” Simcha explained.

 

photo by Julie Gueraseva

That week, we also made a trip to mid-town Manhattan to check out the footwear industry’s version of Fashion Week— the New York Shoe Expo, a major trade show from the Fashion Footwear Association of New York (FFaNY). There, we discovered an exciting new vegan collection from Krže Studio. The collection was in large part inspired by founder and designer Leila Kerze’s home base of Los Angeles. “There is a play between art and industry, motorcycle culture and the canyons and beaches it races through. Though the collection exudes an aggressive and rugged strength, it finishes in elegance,” Leila explained to us. Many of the designs have aerodynamic silhouettes, with lacing and chain detailing. The collection shown in NYC is expected to hit retail outlets in July or August of 2013.

photo by Julie Gueraseva

While compassion was Leila’s primary motivation for starting Krže Studio (“I do not believe it is possible to create something truly beautiful if its origins are from suffering, cruelty, and victimization,” she told us), she quickly discovered that many of the vegan materials on the market not only rivaled the look of leather, but were actually superior in performance and function. The lining of her shoes, for example, utilizes a breathable, anti-bacterial and porous material that is approved by the American Podiatry Association. “This means that both a tall winter boot and a strappy spring sandal can be worn without becoming uncomfortable because of bacteria,” Leila explained. With many vegan leathers being plastic-based and recyclable, designers now have an opportunity “to adhere to a cradle to cradle philosophy and make a renewable and sustainable luxury product,” she added.

Indeed, what we saw during Fashion Week is that not only is it possible to create cohesive and imaginative clothing and footwear without the use of animal fibers— but one can create a collection that in fact surpasses conventional materials in style and function. So perhaps today’s designers should ask themselves the question, Am I moving forward with the currents of change and progress, or swimming against them, regressing further into stagnant practices? If fashion is about innovation and rebellion, it seems evident that humankind has in fact fully exhausted all the possible ways to use animal skins. It is time we give some serious thought to the price animals pay for our vanity, and carefully examine other viable solutions. For a designer like Joshua Katcher— who is already successfully implementing these solutions, you can’t put a price on compassion. “No one complains that furs or leathers are “too expensive”, but most designers are desperate to use that visual currency. But if you asked them to pay workers fairly or invest in new textile technologies that remove animals from the production model, suddenly it’s “too expensive.” Deciding to work towards an ethical fashion system doesn’t have to be an aesthetic choice. If you’re a good designer, you should be able to make brilliant work with whatever materials and production methodologies are available,” he says. We look forward to the day when being a good designer becomes universally synonymous with being an ethical and compassionate one. And we feel confident that this day will come.

Written by Julie Gueraseva

Brave GentleMan photographs courtesy of Joshua Katcher, Gregory Vaughan and Anthony Two Moons (respectively).

 

Monday, February 11, 2013

OUR KIND OF COOK: COLLEEN PATRICK-GOUDREAU

COLLEEN PATRICK-GOUDREAU is a powerhouse who needs little introduction. She is an animal advocate, chef, writer and speaker. In short, a doer. The author of six books , she regularly lectures around the country, inspiring others to think and act more compassionately. She is the creator of the 30-Day Vegan Challenge, an innovative program that has motivated many people to rethink and change their lifestyles. Her approach to advocacy is pretty straightforward. “My intention really is to take “veganism” out of the box and inspire people to recognize that it’s not some crazy, unfamiliar philosophy of living. It’s just common sense,” she says. We couldn’t agree more. Here, she brings us a one-of-a-kind recipe for a cake with aphrodisiac qualities— to spoil yourself or the one you love with (…did you know that cayenne pepper contains capsaicin, which raises endorphin levels?) And being the gold mine of information that Colleen is, we also couldn’t resist picking her brain for some food for thought. Read our insightful Q&A with Colleen, immediately following the recipe.

MEXICAN CHOCOLATE CAKE WITH CHOCOLATE CINNAMON FROSTING
The “Mexican Chocolate” aspect of this cake has to do with the combination of
the spicy cayenne pepper and sweet cinnamon. Pair with a nondairy vanilla ice cream, and book a flight to heaven.

Ingredients
2-1/4 cups all-purpose flour
½ cup unsweetened cocoa powder
1½ teaspoons baking soda
½ teaspoon cayenne pepper
1 teaspoon cinnamon
½ teaspoon salt
¾ cup granulated sugar
1 cup unsweetened applesauce
¾ cup vegetable oil
1 tablespoon vanilla extract
1½ cups nondairy milk (soy, rice, almond, oat, hazelnut, coconut, or hemp)
2 tablespoons apple cider or white vinegar (not balsamic!)

Preheat the oven to 350 degrees F. Lightly oil two 8-­inch (round  or  square)  cake pans, or prepare cupcake/muffin tins with paper liners or silicon cups. In a large mixing bowl, combine the flour, cocoa powder, baking soda, cayenne pepper, cinnamon, salt, and sugar.

In a separate bowl, beat together the applesauce, oil, vanilla extract, milk, and vinegar. Add the wet mixture to the dry ingredients, and mix until everything is thoroughly combined. It will be a bit of a thick batter.

Pour the batter into the baking pans or cupcake/muffin tins, and bake for 20 to 30 minutes (less time for cupcakes–between 15 and 17 minutes), or until the cake comes away from the sides of the pans and a toothpick inserted into the center comes out clean. (Every oven is different!)

Chocolate Cinnamon Frosting

Ingredients
½ cup Earth Balance, somewhat  softened
2 cups powdered (confectioner’s) sugar, sifted
1/3 cup unsweetened cocoa
1 teaspoon cinnamon
¼ teaspoon cayenne pepper
1 teaspoon vanilla extract
3 to 4 tablespoons nondairy milk

Although it can be done by hand, it’s easier to mix using an electric hand mixer. Cream together all the ingredients on low speed until smooth. Increase the speed once all the ingredients are combined, and you don’t risk powdered  sugar flying everywhere. Increase the speed even more until the frosting is  light and fluffy (about  3  minutes). Add an additional l or 2 tablespoons of milk, if necessary. Lick the  spoon, and frost your cake!
Yield: Enough for one layer cake or 18 cupcakes.
Soy-­free (if using soy-­free Earth Balance and  milk), tree-­nut-­free, peanut-­free.

Tell us a bit about the creative process involved in developing your recipes.
I’m always aware of my end goal, my intention of what I want that recipe to be by the time I’m ready to offer it to the world. Because everything I do is for advocacy, I’m always thinking of the recipient of the recipe rather than the pleasure I derive from concocting it. In other words, when I was writing The Joy of Vegan Baking, it was all about creating recipes that were as accessible and familiar and that would inspire someone to say, “Oh, this is a delicious cookie! It’s not a ‘vegan’ cookie; it’s a delicious cookie that happens to be vegan.” The end result was about helping people realize that there’s no deprivation in living vegan; it just requires undoing a few habits and learning new ones. With the recipes in Color Me Vegan, which are broken up in the book by their color, I didn’t want people to have recipes full of exotic ingredients just because they would yield a certain color. I wanted the recipes to be nutrient-dense and pop with color but still be familiar enough that people wouldn’t have to fly something in from Brazil to make one of the recipes. The cayenne and cocoa in the Mexican Chocolate Cake is simply the result of one of my favorite flavor combinations, and they both happen to be ingredients that can be considered aphrodisiacal – cocoa because of the chemicals in it that mimic the feelings we get when we’re in love and cayenne because of the heat they create in our bodies and how they open up our blood vessels, enabling our blood to flow more freely – to all of our organs.

So are aphrodisiac foods something that can integrated into the daily routine?
Eating and cooking are such sensual activities, and I encourage people to engage all of their senses in order to fully appreciate and enjoy food – whether they’re alone or with a partner, whether it’s a special occasion or not. Rather than be attached to one food or one ingredient possibly (or possibly not) having “aphrodisiac qualities,” I think it’s so much more interesting and pleasurable to take advantage of our aural, gustatory, tactile, visual, and olfactory senses – how things sound, taste, feel, look, and smell. We can have heightened experiences with food every day if we’re mindful of how they make us feel and what we want to get out of it. And of course I’m talking only about plant foods. I don’t consider animal flesh and fluids “food.”

Have to agree with you there. Any insider baking tips you could offer?
I always say that baking isn’t about animal-based butter, dairy, and eggs. It’s about binding, moisture, leavening, and fat. Again, it goes back to that end result I was talking about before. When people realize what the foundation is, then they become empowered to create that foundation with ingredients they never thought of before. So, your combination basically fulfills the need for moisture and fat, which is why it works so well.

You’re a very well-versed, compelling advocate for animals. When do you think you found your voice?
The only thing that’s going to change our treatment of animals is a shift in our perception of animals and our relationship to them. When the macro paradigm shifts from “animals are here for us to use, and my desire for convenience and pleasure supersedes their right to not be exploited and killed” to one that sees animals as fellow beings and cohabitants worthy of our compassion, then things will change on a fundamental level. The current treatment of animals as tools, machines, and objects is simply the physical manifestation of a paradigm that sees animals as ours to possess and use. We have to shift the paradigm, or nothing will ever change.

I’ve been clear about that for a long time, and it pretty much drives and dictates my message. When people are tuned into their compassion, they act from it, and their paradigm shifts. So, I see my job as shining the light on the compassion that already exists in them to enable them to have that paradigm shift. I’ve always seen my advocacy role as a guide – giving people what they want – rather than as someone that dictates what should be done. So, over the years as I was trying to find my place and my contribution, I just kept asking the questions: “What am I good at?” and “What do people need?” and I kept finding the answers. It’s not about me; it’s about giving people what they need to make it possible to make the changes I know they want to make. So, I taught cooking classes and wrote cookbooks to give them the recipes they need to make delicious food; I started producing a podcast to answer all the questions people have about the social aspects, ethical aspects, and nutritional aspects of living vegan; I launched The 30-Day Vegan Challenge to guide people to making these changes confidently, healthfully, and joyfully. My present and subsequent projects will continue to be driven by “what tools do people need to make the changes that will reflect their values of compassion and kindness?” As long as I can fill that gap, I’ll do it.

Why did you choose the duration of 30 days for your 30 Day Vegan Challenge? And what kind of response have you seen to the program?
The philosophy/strategy behind 30 days is that it takes 3 weeks to change a habit, though I like the extra week to make sure I’m addressing every question people have. Most people say “they don’t eat a lot of meat, dairy, and eggs,” and yet the truth is you don’t know how much you eat until you stop. So, I’m just saying, “look, do it for 30 days, and in that time, I’ll give you everything you need and address every challenge you have.” I don’t care WHY people come to the Challenge. It doesn’t matter. But throughout it, I give people everything they need so that by the end of the 30 days, they have a strong foundation on which to stand – and continue.

The response to the Challenge has been exactly what I’d hope it would be. By the end of the 30 days, many people have experienced measurable differences in their numbers (lowered cholesterol, blood pressure, etc), but many tell me about how its changed the lens through which they see the world. It doesn’t get any better than that.

Are you more encouraged about our society embracing “unconditional compassion” as you’ve called it, today than you were when you started Compassionate Cook? Any future plans you’d like to share with us, any big-picture dreams?
I knew 13 years ago when I first started my work that people would respond to the message of compassion, and I’m even more convinced today because I see the results through the thousands of emails I’ve received from people whose hearts have become awakened to their compassion. People aren’t more compassionate today than they were 13 years ago or 50 years ago, but there are more tools available with which we can get the message out to reach more people. My future plans and big-picture dreams are to do everything I can to reach as wide an audience as possible, using every tool and medium available to me. For me, the question isn’t “what’s the most effective message that people respond to?” I already know that answer; it’s compassion. The question is “how can I reach more people with this message?” Wherever that answer lies, that’s where you’ll find me.

Learn more about Colleen’s advocacy at Compassionate Cook and The 30-Day Vegan Challenge.

Chocoloate Cake photograph courtesy of Jennifer K. Warden

 

Wednesday, January 30, 2013

THE WITNESS: PHOTOGRAPHER JO-ANNE McARTHUR

Pig in Transport Truck

IF “PHOTOGRAPHY IS TRUTH,” as Jean-Luc Godard once proclaimed, then photographer Jo-Anne McArthur’s camera is like a floodlight, illuminating what is so often hidden and dismissed in our society— the plight of animals. With her trained eye and empathetic resolve, she documents the suffering, distress, confusion and sadness of the ones who are confined; then shows us the joy and contentment of those lucky enough to be free. Jo-Anne has been putting truth on film and pixel for over ten years. She has traveled the world with her documentary project We Animals, contributing her photos to countless animal liberation campaigns. Each of her images is at once a question that lingers, a confrontation with our own conscience… and a call to action. Most recently, she documented the transport of pigs to slaughter in below freezing weather in Canada, as part of the Toronto Pig Save vigils. Her images will be featured in the upcoming film The Ghosts In Our Machine (directed by Liz Marshall), which tells the stories of animals who are used for food, clothing, entertainment and research. Jo-Anne appears to be ubiquitous, working tirelessly to make a difference. Here, she talks to us about the drive behind her work, and her love for animals.

Why did you feel it was important to be there on those freezing afternoons in Toronto to photograph the transport trucks?
It’s in extremes of weather that the pigs suffer most. The pigs are acclimatized to the indoors until they’re sent to slaughter, so the cold is a big change for them and they don’t have much hair to keep them warm. By the time they’ve spent hours in those transports in extreme weather, many are huddled on the floor, unable to move or respond. Some are dead. When I’m there to witness and document, I can’t help but put myself in their position. There I am, outside with cold feet and a cold nose, but they are bare-skinned and exposed to the wind rushing through the transport for long stretches of time. Their pain is crippling. Their forthcoming deaths are bad enough, but this as a prelude? It’s shameful. Needless deaths and needless suffering. I go to witness, to document, and share what I’ve learned.

What reactions have you been met with?
When we’re at Toronto Pig Save vigils, we’re met with extremes of opinion, to be sure. Some honk, wave, give thumbs up and enthusiastic support for us as we stand vigil on what has come to be known as “Pig Island”. Others make sure we see their middle finger or let us know with much originality that they love bacon. The trucks started detouring, or not going into the left-turning lane so that we couldn’t document the inside of their trucks. For the most part though, there haven’t been many efforts to censor. Mind you, the police get called fairly regularly but there’s not much they can do except tell us to obey the rules of the road. Toronto Pig Save takes a Gandhian approach to protesting; this is a peaceful movement and a pro-labour movement as well. We’re not there to anger or antagonize anyone, we’re there to open people’s eyes about the pig slaughterhouse in the neighbourhood, where 6000 pigs a day are killed. We’re there for the pigs and we’re there to show an alternative to treating animals this way.

Rescued Pig

Describe your emotions looking at the pigs. People rarely get to witness the transport of animals to slaughter, because of the industry’s notorious secrecy.
Yes, it’s an industry shrouded in secrecy, but if we take steps to witness, there’s never far to go before we can see what happens. Transports carrying animals are always going up and down most highways and in and out of cities. We believe in witnessing so that we can share those stories and show those photos, so that others can know what it’s like for the animals as well. When you witness this sort of pain and suffering, it changes you. It changes most people, and makes them want to take action, makes them want to stop eating pigs. Countless times, people are moved by the sadness in a way that motivates them and inspires them to return to witness again, and to speak out about what goes on. When we do this as a community, we can support each other, and we do. It helps to process the feelings of sadness and hopelessness. The community is growing; Toronto Pig Save has now become the “Save” movement, with groups cropping up in Canada, the USA and in Australia. Witnessing as a community is working, it’s inspiring people in so many ways.

But how do we feel about seeing the pigs in transport? It’s just plain difficult. Many of us cry. Many of us speak kindly to the pigs as they go by. In warmer weather, many  pigs come to the openings in the transport walls and sniff our hands and faces, and we pet their faces. We try to show them some kindness before they die. On a personal level and as a photographer, I balance the feelings of sadness with the necessity of work. I’m there to take really strong images so that others can witness too, and I need to do that work well. I have to concentrate on framing the picture well, documenting the pigs’ faces, eyes, injuries, the cramped conditions. It’s depressing work but it’s an honour to be able to contribute to the movement, and to change, and it always moves me to be with the animals. This is always where my heart is: being with the animals in some way, trying to help, sometimes bringing them comfort if I can.

Bird and fish in market

Your photography is your activism, and your camera can be called your weapon in fighting injustice. What has led you to photography, and specifically to documenting the plight of animals?
Yes, photography is my tool for animal rights activism, and it’s great to see so many more people doing this as well, be it undercover or wide out in the open, documenting injustice everywhere. What led me to photography… while I was studying at University I took an elective black and white printing class, and after that first class, that was it for me, it felt as though I’d found my “calling.” I’d always loved photography, but at that point my love deepened and I knew it would be a great tool in life for me, because I’m so curious about things… cameras can sometimes act as an all-access pass to the lives of others. I had some good advice along the way too; my mum had told me to figure out what I love doing, then find a way to make a living doing it. This was great, especially when so many kids are subconsciously fulfilling their parents wishes, or doing what they think they should do, when they pick their schooling or career path.

I also had some great advice from a photographer mentor of mine, Larry Towell, who told me to stop looking so far afield for stories, to look inside instead. “Do what you love” and “do what you know” are things he said, and that struck a chord. I loved helping animals, always did. Soon I realized I could combine my loves for photography and helping animals. I don’t make a living doing it, mind you (I do commercial, event and portrait photography to pay the bills), but I’m definitely doing what I love.

How do you remain in positive spirits, despite the suffering you’ve seen?
I try to balance the bad with the good. I have to. We have to. Being beaten down with the suffering every day leads to burn out, compassion fatigue, or a dropping away from activism and the issues we care about. I suffered and recovered from PTSD because of what I’ve witnessed through shooting for campaigns and the We Animals project, so I have learned to take care of myself and to celebrate the good. We really all need to do this; find balance in our activism, and take self-care seriously. We can keep our optimism and our eyes on the goal by focusing on the good happening all around us, by supporting one another in our work and by celebrating change. Don’t forget change is happening, and it’s happening because of millions of compassionate people out there making small and big adjustments to their lives, things that will ease the suffering of animals. Celebrate the good. Keep your eye on the prize (which is animal liberation, of course!).

Rescued GorillaRescued Bear

What kind of effect have your images produced in people?
One of the best parts of We Animals for me is hearing and reading people’s responses to it. I get a lot of emails about the work and how it has changed people’s worlds. I know the photos are effective, and that’s part of what keeps me going. Many people have written to me about giving up meat after seeing and reading work from the We Animals site, and many have found a calling in activism as well. It’s pretty exciting!

Where is your work taking you next?
I continue to attend Pig Save vigils and will actually be documenting Melbourne Pig Save in early March, in Australia. I’ll be there for a month to work with various animal rights groups, as well as documenting rescue and sanctuary work. Then I’ll be in Senegal doing volunteer humanitarian work (photography) with a Canadian medical team, then from there, heading north to Europe to work with some great teams of investigators again. Lots going on! Liz Marshall’s film The Ghosts In Our Machine will be in theaters this year as well, so there will be a lot happening around that. It’s a strong film about the moral question of animals as property versus sentient being, and will be a force in bringing animal issues to the fore. I hope to be back in India by the end of the year, and I’ll continue to help and contribute to local and global campaigns as much as I can. The photos from the We Animals archive are made available to groups who are helping animals and furthering a message of compassion, so it’s great that the archive can continue to be useful even while I’m doing other things.

Jo-Anne McArthur with Orlando

Learn more at:
We Animals
Toronto Pig Save
The Ghosts In Our Machine

Story and interview by Julie Gueraseva
Photographs by Jo-Anne McArthur
Photo of Jo-Anne by Nick Ugliuzza